Vos: "that which Jehovah will do at the end, his conclusive, consummate action, must surpass everything else in importance."
"...what can be
prayed and sung now in theatro mundi was never meant for exclusive use in the
oratory of the pious soul. This other aspect of the Psalter (eshcatological)
has not been produced by liturgical accommodation; it was in its very origin a
part of the life and prayer and song of the writers themselves. After all,
these two uses, the devotional and the historical, are not so divergent as one
might imagine. We need only to catch the devotional at its proper angle to
perceive how it forms part of a broader, more comprehensive piety uniting in
itself with perfect naturalness the two different attitudes of withdrawal into
the secrecy of God and of intense interest in the unfolding of the world-drama.
"The deeper
fundamental character of the Psalter consists in this that it voices the
subjective response to the objective doings of God for and among his people.
Subjective responsiveness is the specific quality of these songs. As prophecy
is objective, being the address of Jehovah to Israel in word and act, so the
Psalter is subjective, being the answer of Israel to that divine speech. If
once this peculiarity is apprehended, it will follow that there must be place,
and considerable place, in the Psalms not merely for the historical interest in
general, but particularly for that heightened interest which the normal
religious mind brings to the last goal and issue of redemption.
"To the vision of
faith that which Jehovah will do at the end, his conclusive, consummate action,
must surpass everything else in importance. Faith will sing its supreme song
when face to face, either in anticipation or reality, with the supreme act of
God. Let Mary's case be witness from whose heart the great annunciation of
Messianic fulfillment drew that Psalm of all Psalms, the Magnificat. The time
when God gathers his fruit is the joyous vintage-feast of all high religion.
The value of a work lies in its ultimate product. Consequently, where religion
entwines itself around a progressive work of God, such as redemption, its
general responsiveness becomes prospective, cumulative, climacteric; it
gravitates with all its inherent weight toward the end.
"A redemptive
religion without eschatological interest would be a contradiction in terms. The
orthodox interpretation of Scripture has always recognized this. To it
redemption and eschatology are coeval in biblical history." - Geerhardus
Vos, "The Eschatology of the Psalter"




4 Comments:
Chad Richard Bresson?
ESHATOLOGY of the PSALTER?
" The Vossed World".
With JEB BUSH- TERESA HEINTZ?
He's that " seed gal" with EDWARD MEESE wanting a ton of COMSTUL which is good for the BEFOR.
And what's good for the BEFOR is good for the BONERS and DWYT knows how to ROKYT .
NCSHIPS- NESSPA?
VIRGINIA- VANCO and TRUPPLAT!
SA- SAPOP!
ADA likes to ROCUNROL, too.
With OLAH and GUY!
And DICCE CHENEY with RISA now got an ONOLAND
way OUTTE control - NEVADA with STARZ!
ZETAS and " OPPOLUS " are their gods, didn't you know?
ASETOR CHERR will tell you all about it if she can dock at DEWORPH AUFFE ASEASE.
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Geerhardus Vos, "The Eschatology of the Psalter", The Princeton Theological Review (JAN 1920), pp. 2-3; reprinted in Geerhardus Vos, The Pauline Eschatology (Grand Rapids: Baker Book House, 1979; reprinted from Princeton University Press, 1930 original), pp. 324-325.
Should not all our songs follow this eschatological tone as well? Should not the church create songs that anticipate the culmination of the Christ Event? Every song ought to be a subjective response to the objective Voice with a view to the end. When we finally see the eschatological One and THE Objective Voice with our own eyes, what a song there shall be.
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